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She
was particularly honored to have had
the late, great Wes Montgomery pull
her from his audience to sing at the
Drome in Detroit.
Only
one person who encouraged Drea to
sing as a child and that was family
friend, world famous jazz bassist,
Al McKibbon, who kept insisting :
"Don't let anyone discourage
you. Go for it!" (Her parents
said, you'll starve singing better
learn to type!")
She
refers to Buddy Collette as
"Her Hero." A jazz icon
who complimented her by asking for
her autograph while appearing at the
Billy Higgins World Stage with the
Chuck Johnson Jazztet.
Special
thanks go to : James Polk who worked
some of her first gigs, and wrote
her first charts. Cardella
DiMilo, Rose Gayles, Barbara
Morrison, Billy Mitchell, John
Bolivar, and Garland Campbell always
offered "an open mike."
Love
to some special LA "Phat
Kats" : Ralph Gibson, Neil
Jordan, and Henry Van Sykle who
smoothed the way for her return to
the stage after an extended hiatus
by playing in her return group
"The DC Express."
Then
there was Bill Skinner, who gave her
a spotlight with his Big Band, and
led her to Catalina's Bar &
Grill in Hollywood. Chuck Johnson
who introduced her to the public at
large by working several major jazz
festivals, and later featured her on
one of his albums. Ken Dixon
introduced Drea to "high
society" by featuring her with
his combo in Santa Barbara, and
Ventura, CA, where she appeared at
the Biltmore Hotel, Red Lion Resort,
and California 66. Then last but not
least, her friend, Hardy Eason, who
taught me the key to giving a good
performance is practice, practice,
practice!
Drea
was half of the jazz duo formerly
known as Chapter & Verse with
renown jazz guitarist
Igor.
They appeared in and around the Los
Angeles, Hollywood, and Redondo
Beach area. |